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March is Boycott the RIAA Month

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According to Gizmodo, today begins boycott the RIAA month. It was even good enough to put together a manifesto against the RIAA. I think it is a great idea. I thought I might share with you why I think so and give a few thoughts on how to do so.

Personally, the last RIAA CD I bought was Thomas Dolby’s "Astronauts and Heratics" back in 1992. ( Yeah, that was a few years ago.) I am of the mindset that if you order me to do something, I am much less likely to co-operate with you. The RIAA has been on a rampage of trying to order, bully, threaten and using any means it sees fit to frighten the consumer into submission. That does not sit well with me. It seems to think that it is some type of police or Gestapo governmental agency. It sues children, housewives, and dead people and seems to think it is on a crusade for the artist who sees little if anything from this rampage. Its attorneys are descending on college campuses much like pedophiles on a playground. I must also state that I do not condone, endorse, or encourage an illegal downloading or piracy. There are many legal alternatives. Enough for the "why," let us continue to the "how."

You could, of course, burn every CD, cassette, and album you own, shut off the radio, and become a hermit, but how much fun would that be?

Please do not think I do not own any RIAA music. That is far from the truth. I have about 400 cassettes and a few hundred CDs from days past. The reality is that I have little use for the obsolete media. I want MP3 format on my hard drive and, I want it to be transferable to any device I own.

I love music and am listening to a podcast or music almost every waking moment of my day. So what do you do to boycott the RIAA and continue to "jam out?" Several things…

  1. First off, check out the RIAA Radar and see if the artist you like is still recording with an RIAA label. Many labels are now leaving the RIAA; support those who are not part of the RIAA.
  2. Become informed on the current state of these matters. The EFF has an excellent list of feeds on your rights in the electronic age. Check out the boycott RIAA site.
  3. Listen to podcasts, and find "podsafe music." Podsafe music is music that is perfectly legal to download and transfer from device to device. I have just under 10 gigs of free podsafe music. Here are some of the places I like to get the music from: (If you have any you would like to add, leave a comment.)

    • Podsafe Audio - This is my personal favorite. I don’t think it is any better or worse than any of the others I mention below but it it usually my first stop.
    • Garage Band - I think most of us have heard of this site.
    • Podsafe Music Network - LOTS of music here. A very popular source for legal downloads.
    • Sound Click - Not a bad site but I would think more of it if it just ditched the pop-ups.

Most important, change the way you think about the music you do buy. Each dollar you spend is, in fact, a vote. If any portion of it is funneled to the RIAA, its fire is fueled. If we all stopped listening to and buying RIAA music, how long would it be able to continue with its madness?

In any way you can afford to, support organizations that are protecting your rights and opposing the RIAA. This could mean donations, linkage, or simply spreading the word. Make a statement on this matter.

I heard of a good way to make such a statement this month on The Daily Source Code Podcast. The idea is simple, elegant, and a great way for all of us to make a statement. It is a great way for us to say that we, the consumers, should decide what and how we listen to. It is Bum Rush the Charts.

Basically it works like this:

"…on March 22nd, the podcasting community is going to take an indie podsafe music artist to number one on the iTunes singles charts as a demonstration of our reach to Main Street and our purchasing power to Wall Street. The track we’ve chosen is “Mine Again” by the band Black Lab. A band, mind you, that was not just dropped from not just one, but two major record labels (Geffen and Sony/Epic) and in the process forced them to fight to get their own music back. We picked them because making them number one, even for just one day, will remind the RIAA record labels of what they turned their backs on - and who they ignore at their peril."

I think it is a great idea. "I’m in. Are you?"

Thanks for reading.

[tags]RIAA, Podsafe Music, BRTC, Bum Rush the Charts, Activism, Copyright[/tags]

14 Comments

People, get your thinking straight. The RIAA is an industry association, a trade group. It is merely a minor demon, it is the RIAA members who are the Devil Himself.

For example, consider Sony. They are a leading RIAA member, but they make little money in the music business. The lion’s share of Sony profits come from hardware. You don’t hurt RIAA or Sony by boycotting music.

If you want to hit the RIAA where they live and where decisions are made, pick some RIAA members and boycott all their buinesses, especially their other, more profitable businesses. That’s why no new products from Sony are allowed in this house.

Your post pretty much echoes my sentiments regarding the antics of the riaa. I’ve said it for a long time: vote with your wallet, people! Instead of buying CDs from the major labels (or any CDs, at all), seek out the indie labels and unsigned artists, and make it also clear with your wallet vote that you want freely transferable downloads (MP3s, but also FLAC, or Ogg) without any DRM (=dirty rotten mess).

Sony drove the last nail into the CD coffin for me when they put those nasty rootkits on their CDs, making countless PCs vulnerable to malicious intruders, effectively contributing to damaging an increasingly important infrastructure backbone of our modern society: the Internet. It is impossible to say how many PCs became “drones” in botnets because of Sony’s DRM rootkit and were subsequently used (and may still be used until this day) to launch denial-of-service attacks on web sites, send out ludicrous amounts of spam, or even further the cause of terrorists. Sony needs to be held accountable for that. A class-action lawsuit, filed on behalf of all Internet users (as damage to the Internet infrastructure affects all users), in the amount of one billion, or even several billion, dollars sounds about appropriate to me. And instead of paying every Internet user an infinitesimally small amount, once Sony has been found guilty, the money could be used to improve the overall security of the Internet through a number of independent organizations with the best people of the security expert community on their panels. I hope my friends over at the EFF pick up on this idea.

Saying “no” to DRM consequently also means saying “no thanks” to Apple and their iTunes. I do, however, like the idea of showing the old labels our wallet voting power by making artists they’ve kicked out number one on the iTunes single charts, despite Apple’s own DRM “lock-down” methods, simply because those single charts are currently the only way to compare “apples with apples” (please excuse the pun) = indie artists with big label artists.

The infrastructure I see evolve naturally in the near future is a direct artist-to-audience connection, with the old middleman completely out of the picture.

R.I.P. (rest in pieces) R.I.A.A.

David Sundancer

Readers interested in this should also check out the excellent documentary “Before the Music Dies” to understand how the business has changed and what the major labels & mega radio stations are doing

From radioparadise.com:

The US Copyright Office has released their new set of rates for the payment of royalties by Internet Radio, and they ignored all of the facts presented by webcasters (including RP) and gave the record industry exactly what they asked for: royalty rates so high that they will put RP and every other independent webcaster out of business. See Kurt Hanson’s newsletter for 3/2/07 for the details on how the rates work and what they will mean to stations like RP.

For some time, we’ve suffered with a system where we pay a large chunk (10%-12%) of our income to the Big 5 record companies - while FM stations and radio conglomerates like Clear Channel pay nothing. Now they want even more. In our case, an amount equal to 125% of our income. Our only hope is to create as much public awareness and outrage about this staggeringly unfair situation as possible. Neither the record industry nor Congress are ready to listen to us at this point. But members of the media may well be, and we need to get their attention.

If you have a blog, write about it. Feel free to quote anything I’ve written in the Listener Forum. If you find a good blog post about the subject, Digg it or Slashdot it. If you work for a media outlet, look over the facts of the situation and see if you don’t feel the same sense of outrage that we do. Write a letter to the editor of your favorite magazine or newspaper. Let everyone you can know what a loss it would be to you personally if your favorite Internet radio stations, including RP, were no longer available.

The RIAA can, at any time, agree to strike a deal with independent webcasters to allow us to pay a more realistic royalty, one based on a percentage of our income. We’re hoping that if all of you make enough noise they’ll be more inclined to do so. We’d also like to hope that at least one member of Congress will take a look at this situation and become willing to propose ammendments to the deeply flawed 1990s pieces of legislation that are responsible for the unfair treatment of Internet radio.

Thanks a lot for reading this, and for considering the idea of taking some action on it. We’ll be posting new information and links here as they become available.

I agree with you (mostly).
…but “I am have about 400 cassettes”?! Dude! You need a proofreader.

italics belong to lumpy

Yeah, I am pretty bad at the one man editing… I should be a beta tester for spell/grammar checkers.

Thanks for pointing it out.

It was one of those things I just read right over and read what I meant instead of the typo.

Now, thanks to you, fixed.

I enjoyed this piece very much. It appeals to the “smacking me will result in ingenious forms of payback” in me. The most effective form of payback on a personal level is to remove your magnificent presence from that person’s sphere of influence. The most effective form of payback of a business entity is to withhold from them exactly what they covet, your money.

The research you do and the links to follow are excellent reading, please keep writing.

Thanks.

Hey, don’t forget about eMusic.com

First: Sounds like a great idea.
Second: What can I do (and how do I do it) to help make the 3/22 date happen?
Sorry, I’m an over-60 techie, not savy past ripping and burning.
PS I’ve been using eMusic.com for years. What is your position on them?

[...] March is Boycott the RIAA Month ~ webbits March is Boycott the RIAA Month by lumpy on March 1, 2007 at 6:06 pm · CommentsCategorized by Opinion, Copyright, RIAA / Related Information [...]

One little known secret is that some mp3 players, specifically the Creative Zen Nano, come with a special line-in cable that you can hook directly to your cassette deck. Not only does it record the cassette, but encodes it to mp3. You can use programs like Audacity to break up the recording into individual songs. Audacity will create ID tags as you go. Very cool.
Later. MD

[...] My previous post here was a bit of a rant but, judging by the comments, it seemed like it was well received. I thought a follow up with a bit more detail on Bum Rush the Charts. [...]

[...] a year ago now, I put up a post here that supported simply boycotting the RIAA. The post (actually about March being Boycott the RIAA Month) drew a number of comments suggesting other [...]

[...] is going to have to be part of a series kind of post. A good while back I scribbled a post March being Boycott the RIAA Month. In it, I mentioned a few places to seek DRM free and legal music. I still get asked where I find [...]

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